Already Gone Tour


Echo ran a competition in 2019 for a new composition to be performed as part of our 2020/21 season. The competition was open to anyone over the age of 16 from any country, with no entrance fee. Applicants were asked to respond to a poem by Alice Oswald, and could set that or any other text of their choice. The judging panel consisted of Judith Weir, Robert Hollingworth, and members of Echo.

 After listening to completely anonymised submissions from over 90 applicants, we announced two joint winners, Lillie Harris and Rory Johnston, alongside a highly commended shortlist: Karen Lemon, James Brady and Janet Oates. 

The premiere was planned to take place in June 2020, but Covid-19 restrictions meant that both the planned composers' workshop and premiere concert were postponed. 

However, all five shortlisted candidates have written brilliant compositions that deserve to be heard and celebrated. We have therefore planned a more substantial touring project centred around the new pieces in July 2021. 

One of the reasons we decided to tour the shortlist together was not only because of their excellence and varied techniques and approaches, but also because of the way the shared source text creates a thread that runs throughout the programme. Furthermore, hearing different creative responses to the same source material can be hugely inspiring for emerging composers and musicians. We want young people to come away from our concerts and workshops inspired to create their own music. 

The source material for composers: they could set this or any other text:

The Joint Winners

Lillie Harris


"It is such an honour to have been selected by Echo as joint-winner of their composition competition. The poem that they asked entrants to respond to, 'Dunt: a poem for a dried up river' by Alice Oswold, just sang out at me right away, and I knew I had to have a go at setting it. I cannot wait to hear them perform my piece as they are such a talented and expressive ensemble."


@lilliepharris

www.lillieharris.com


Example of previous work:

Rory Wainwright Johnston


"I am thrilled to have been chosen as the joint winner for Echo's composition competition, they are such an interesting ensemble exploring different ideas with programming and improvisation, so I'm excited to hear how they bring my piece to life!"


@rorywainwright

www.facebook.com/rorywainwrightjohnston

www.rorywainwrightjohnston.com





Example of previous work:

From our guest judges

Robert Hollingworth:

"Bravo to all those who took part. For different reasons, Judith and I loved the varied approaches that composers took and their inspired embodying of the text - the choral composer's holy grail. (Ni.) How excellent that a newish choir is already commissioning music in this way and has got to know a range of composers' works as a result."

Judith Weir:

"A notable feature of Echo’s competition has been the freedom given to entrants, with the invitation either to set the offered text, or to respond to it with other poetry. Two very free interpretations have been the winners - along with a strong shortlist of ‘highly commendeds’, all well worth hearing."
ABOUT THE PROGRAMME


Alongside the five world premieres, we'll be singing music by Hildegard of Bingen, Jacob Clemens non Papa, Giovanni Pierluigi da Palestrina, Benjamin Britten and ANOHNI. Listen to a playlist of the programme here.

O nobilissima viriditas - Hildegard of Bingen (1098-1179)

R. O nobilissima viriditas,

que radicas in sole

et que in candida

serenitate

luces in rota

quam nulla terrena excellentia

comprehendit:


R. Tu circumdata es

amplexibus

divinorum ministeriorum.


V. Tu rubes ut aurora et ardes

ut solis flamma.



        Ego flos campi - Clemens non Papa (1510-1555)


Ego flos campi et lilium convallium.
Sicut lilium inter spinas sic amica mea inter filias
Sicut malus inter ligna silvarum,

sic dilectus meus inter filios
Fons hortorum puteus aquarum viventium quae fluunt impetu de Libano


 

        I vaghi fiori - Giovanni Pierluigi da Palestrina (1525-1594)


I vaghi fiori e l'amorose fronde
e l'erba e l'aria altrui diletto danno.
Porgon riposo gli antri e piacer l'onde,
levanno l'arme e gl'archi ogn'aspro affanno.
L'ombra soave al cor dolcezz 'infonde;
fuggir le gravi angosce l'aure fanno.
Lasso me!
che mia vita non restaura
fior, frond ', erb',
aria, antr ', ond', arm ',
arch', omb ', aura.


          Five Flower Songs - Benjamin Britten (1912-1976)


1. To daffodils

Fair daffodils, we weep to see

You haste away so soon;

As yet the early-rising sun

Has not attain'd his noon.

Stay, stay

Until the hasting day

Has run

But to [the] evensong,

And, having pray'd together, we

Will go with you along.


We have short time to stay, as you,

We have as short a spring;

As quick a growth to meet decay,

As you, or anything.

We die,

As your hours [do,] and dry

Away,

Like to the summer's rain,

Or as the pearls of morning's dew,

Ne'er to be found again.



3. Marsh flowers

Here the strong mallow strikes her slimy root,

Here the dull night-shade hangs her deadly fruit;


On hills of dust the henbane's faded green,

And pencill'd flower of sickly scent is seen;


Here on its wiry stem, in rigid bloom,

Grows the salt lavender that lacks perfume.


At the wall's base the fiery nettle springs,

With fruit globose and fierce with poison'd stings;


In every chink delights the fern to grow,

With glossy leaf and tawny bloom below:


The few dull flowers that o'er the place are spread

Partake the nature of their fenny bed.


These, with our sea-weeds, rolling up and down,

Form the contracted Flora of our town.


5. 
5. The Ballad of Green Broom  

There was an old man lived out in the wood,

And his trade was a-cutting of broom, green broom,

He had but one son without thought without good

Who lay in his bed till 't was noon, bright noon.


The old man awoke one morning and spoke,

He swore he would fire the room, that room,

If his John would not rise and open his eyes,

And away to the wood to cut broom, green broom.


So Johnny arose and slipp'd on his clothes

And away to the wood to cut broom, green broom,

He sharpen'd his knives, and for once he contrives

To cut a great bundle of broom, green broom.


When Johnny pass'd under a Lady's fine house,

Pass'd under a Lady's fine room, fine room,

She call'd to her maid: "Go fetch me," she said,

"Go fetch me the boy that sells broom, green broom!"


When Johnny came into the Lady's fine house,

And stood in the Lady's fine room, fine room,

"Young Johnny" she said, "Will you give up your trade

And marry a lady in bloom, full bloom?"


Johnny gave his consent, and to church they both went,

And he wedded the Lady in bloom, full bloom;

At market and fair, all folks do declare,

There's none like the Boy that sold broom, green broom.



R. O noblest green viridity,

rooted in the sun

and in the clear

bright calm

you shine within a wheel

no earthly excellence

can comprehend:


R. You are surrounded by

the embraces of the service,

the ministries divine.


V. As morning’s dawn you blush,

as sunny flame you burn.





I am the flower of the field, and the lily of the valleys.
As a lily among thorns, so is my love among women
As an apple tree among the trees of the woods,

so is my beloved among men

A fountain of gardens, a well of living waters, and streams flowing from Lebanon.





The beautiful flowers, the loving foliage
and the grass and air give delight.
The caves give rest and the waves pleasure,
They take away weapons, bows and every harsh anguish.
The soft shadow infuses sweetness to the heart;
The breeze lets bitter anxiety flee.
Poor me!
Because my life doesn't recover
by flowers, foliage, grass, air,
caves, waves, weapons or bows.



 


2. The succession of the four sweet months

First, April, she with mellow showers

Opens the way for early flowers,

Then after her comes smiling May

In a more rich and sweet array,

Next enters June and brings us more

Gems than those two that went before,

Then (lastly,) July comes and she

More wealth brings in than all those three;

April! May! June! July!









4. The evening primrose

When once the sun sinks in the west,

And dew-drops pearl the Evening's breast;

Almost as pale as moonbeams are,

Or its companionable star,

The Evening Primrose opes anew

Its delicate blossoms to the dew;

And hermit-like, shunning the light,

Wastes its fair bloom upon the Night;

Who, blindfold to its fond caresses,

Knows not the beauty he possesses.

Thus it blooms on while Night is by;

When Day looks out with open eye,

'Bashed at the gaze it cannot shun,

It faints, and withers, and is gone.



The first stage is to run a free open workshop in central London for the public to attend, at which the composers are present. Each piece will be discussed and rehearsed, with a Q&A afterwards. After the workshop, the full programme 'Already Gone' will be toured to Birmingham, Manchester and Bristol. 

We hope this tour will be the first of many; allowing new and old music to inform and inspire one another, creating a supportive network for the competition winners and continuing to break down barriers of age and background for emerging composers.